Lately when I’m painting I think about prismatic, colored light. I don’t see rainbows very often, but daily I see light bending and bouncing off every surface. I see how sunlight cools at the zenith of the sky and warms at the horizon.
My paintings, including the two above, are hanging in the beautiful display space at the Glenview Public Library until May 15. Join me at the library for my artist talk on April 4 at 6:15, followed by a painting workshop from 7 to 8:30. Register for the workshop here at the library website.
Here is a description I wrote for the work (including the painting above) showing at North Park University’s Johnson Center, as part of the 2016 Alumni Triennial Art Show:
The More You Look the More You See
paintings by Deb Hendriksma Anderson
Lost in a tangle of plants—chicory, queen anne’s lace, joe pye weed. Bristling structures of thistle. Delicate strands of bindweed. Tense pods of jewelweed, showy plumes of goldenrod. Dry hedgerow, lush forest understory, the fluid surface of water, triangular folds of fabric.
In Robert Pirsig’s Zen and the Art of Motorcycle Maintenance a young writing student has nothing to say about the world, her country, or her town. Her instructor suggests she narrow her focus to one street or one building, and then to a single brick. With that narrowed focus she is suddenly free to describe and engage with her subject, and to express herself.
For every fact there is an infinity of hypotheses.
The more you look the more you see.
Lost in transient, maybe irrelevant details, painting is a way of paying close attention—a meditation. The subjects become a mirror of the inner landscape. Mapping out my context within changing spaces.
Light Shift, Left
Light Shift, Right
Sea Map I
Sea Map II